Friday, October 9, 2009

Dear Brethren,

This is the original letter I sent out to you in 2006, while I was a student at MSOBS.

"I'm putting together an Historical Paper, for the MSOBS Restoration class.

Because I love drawing (particularly those that God gives me) I decided to create a paper around all the sketches of brothers and sisters I've done in the church.

A portrait sketch of the church.

There is a sad lack of images in the school library, many very informative papers but few pictures. I learn better when the two are combined.

I have drawn about 60 of our brethren.

I have composed a questionnaire for each of the people I've drawn, to fill in, in the hope of compiling 60 or so images accompanied by their answers, so that we have a small illustration of the Spirit in the church today.

We usually read about the congregation or the church in general, but I've not read anything yet, about the mind of those of us walking in Jesus.

This appeals to me and I hope it will appeal to you and the others, and those who are far off.

Would you mind participating in this portrait?

In the service of Jesus, Col."

The purpose of this paper

This is an Historical Paper, for the MSOBS (Macquarie School Of Biblical Studies) Restoration class, 2006.

This paper strives to give a small voice to just a few of those of us who have discovered the truth about Jesus salvation from sin, and freedom from the power of Satan in the world.

My reason for choosing to produce a paper like this.

I love drawing, so I decided to create a paper around all the sketches of brothers and sisters I've done in the church. I have tried to use my drawing interest to glorify God. One of the ways of doing this that has evolved is drawing the men that preach, or brethren in moments of talking or eating, just whenever the Spirit moves me to draw.

It was in 1994 that I decided to become more seriously involved in painting and drawing, I had intended to make it my business. Sketching is usually something that is done by someone who wishes to produce greater works as a stimulation, to develop ideas that usually grow into paintings, for sale.

I decided after a few years to work mainly at drawing, because this is my strongest ability, it’s also simpler and cheaper.

Not long after this I decided not to sell anything, but simply to draw for God, so that I could not be drawn towards the area of competitive marketing, where I get very disturbed and stressed, and lose my focus on God's will.

I decided it would be much better to strive for the same goal I’d been working slowly at since 1967, to live by faith, allowing God to provide where I can’t manage, and dedicate in my mind, everything to Him.

I have accumulated thousands of drawings over the last eleven years. Since I had all these drawings and nothing to do with them, when Ted Paull, who runs the Macquarie School of Biblical Studies (MSOBS) told the students who were studying there in 2006 that we had to produce a paper on some aspect of the church, the first thing that came to mind was to use the drawings of brethren as a starting point for the paper. It wasn’t long after this that I could see that what I had was “A portrait sketch of the church.”

Since my year at MSOBS I have begun to appreciate the enormous value of the school library which has many very informative papers, but few pictures. There is a sad lack of images in the library. The papers that I have read are about the congregations or the church in general, but I've not read anything yet, about the mind of those of us walking in Jesus. I must confess that I haven't read very much of what is in the library.

I composed a simple questionnaire for each of the people I had drawn, to fill in.

Thinking about this working of the Spirit in the body of Jesus, I was given an idea about how a drawn image comes together on paper. This I believe was put in my mind as Judy my wife and I were driving to school one morning. I was able to remember what I’d thought, a small miracle in itself, and write it down. It’s about the rhythm of line and the rhythm of the Spirit. If you don’t agree with what I’ve said, I give in.


Line rhythm

The line in a drawing is like a dance, a rhythmic dance. It can be seen in it’s purity in a simple scribble line, except it can appear to some as something too simple and boring.

The beauty of the rhythm of the line is what makes a drawing (or the rhythm of the brush strokes in a painting) especially attractive. This line rhythm is unique in each artist.

The confidence of it, is it’s strength.

For example, when drawing a face it is natural to try to exaggerate or strengthen the shape or form of the features of the face in an “outline.”

A beautiful drawing, with gentle balance, something more appealing to a practised, appreciating eye, will let the outline detail almost disappear and allow the rhythm of the tonal “scribble” have full play, producing a confident scribble, somewhere between face and line rhythms.

The success of the line rhythm decides the visual satisfaction of the portrait sketch.

The Holy Spirit of God performs for God in a similar way. The seen image of life, the worldly reality we live in, is not what we are asked by God to look for, to “see.” We are asked by God, to keep our eyes on the unseen.

It seems to me that the unseen, the Spirit, is like the scribble line in terms of His freedom, His rhythm and the beauty and desirability of seeing this.

He is the one who establishes the true form of God.

To work with the seen image of the world, to work to please men, rather than work to glorify God, is to “over -work” and results in serving Satan.

To overwork a drawing causes the same unsatisfactory result. The work is not true. The subject and the creator are put down, not at all lifted up, to the things above that we all desperately need, as God knows. The end result of overworking a visual image is not, the fruit of the Spirit.

To work with the Spirit one must let go of the end result, have as little doubt as possible, have as little personal want, so that God can take control. So that His effort can be seen. So that God is Glorified, not the one who holds the pen.

Timing

Timing is also of great interest in a drawing. I believe it is shown in the form of what’s there and what’s not there.

We had been learning a lot, retaining a little, on the reproduction of songs, singing from a song book, lead by Ted Paull in our year at MSOBS. Timing was very important, pausing in the right place for the right amount of time, so that proper emphasis is given to the words that are being sung. That there is time for loving what we are saying about God, in the pauses provided, breathing easily, being content with what we have been given.

Timing is important when reading. Allowing slowness so that the peace of God comes into the words being spoken and heard.

The Holy Spirit produces in our lives God’s timing, if we work with Him internally, as He allows things to happen or not happen.

This is an appropriat time to think on the meaning of “unforced rhythm of grace.”

FOLLOWING; 29 responses to the questionnaire.

Name

Alan bottle

What was your life style when you decided to follow Jesus?

Separated from my wife and children, otherwise fairly normal.

What year were you baptized?

1984 at 37 years of age.

Where did you begin to worship and what was your first impression of the church?

Blacktown.

I was happy about it.

I liked the teaching and the informality compared to the Anglican church.

Roy and Nancy Courtney’s tutoring was extremely valuable.

What difficulties/challenges did you have in striving to be like Jesus?

Too many things get in the way of living like Jesus.

Would Jesus really accept me?

What challenges did you have in feeling part of the Lord’s body?

Would I be able to measure up to what I thought was required?

What principles of the Restoration Movement (restoring Christianity to be as it is in the new Testament) are important to you?

Loving each other the way Christ says in John 13:35. Trying to really understand and do what

Christ says.

What did you think about having no musical instruments in worship?

There is no evidence that God wants musical instruments in worship.

What spiritual interest did you have before becoming a Christian?

None.

What is important to you, in how you walk in Jesus today?

In applying Jesus’ words, and that means applying Jesus’ words, not what I think Jesus’ words are.

Where do you worship today? Approximately how many brethren?

Blacktown, 45.

What rolls do you carry out in the church?

Full-time worker.

Name

Beverley Mandalidis

What was your lifestyle when you decided to follow Jesus?

What year were you baptized? What age were you?

1981, 35.

Where did you begin to worship and what was your first impression of the church?

Eastside, lots of American students and very few Aussies.

What difficulties /challenges did you have in striving to be like Jesus?

Coping with family /friends’ opposition.

What challenges did you have in feeling a part of the Lord’s body?

Accepting others perception of how a Christian is to behave.

What principles of the Restoration Movement (restoring Christianity to be as it is in the New Testament) are important to you?

Using the Bible as the only guide.

What did you think about having no musical instruments in worship?

It allowed personal involvement in singing.

What spiritual interest did you have before becoming a Christian?

Why should we be good? Good Vs evil.

What is important to you, in how you walk in Jesus today?

Staying faithful.

Where do you worship today? Approximately how many brethren?

Eastside. 30?

What roles do you carry out in the church?

Teaching the babies on Sunday.

Name

Bob Marks

What was your life style like when you decided to follow Jesus?

Living in Canberra, working as a public servant.

What year were you baptized? What age were you?

1968. 22.

Where did you begin to worship and what was your first impression of the church?

Canberra.

Amazing attitude toward the Bible.

The church was in need of preachers.

There were problems in the church.

What difficulties / challenges did you have in striving to be like Jesus?

I was a young family man with lots of commitments.

What principles of the Restoration Movement (restoring Christianity to be as it is in the New Testament) are important to you?

A “thus saith the Lord” for things we do.

A respect for the silence of the scriptures.

What did you think about having no musical instruments in worship?

That is the way it was in NT times, and I don’t think we should alter that.

What spiritual interests did you have before becoming a Christian?

I was a highly committed member of a denomination.

I went to 3 church services each Sunday.

I was looking around at other churches.

What is important to you in how you walk in Jesus today?

The example I am leaving my children and grandchildren.

Where do you worship today? Approximately how many brethren?

Warringah. 25.

What rolls do you carry out in the church?

Preaching, teaching. Organizing, etc.